"Love follows knowledge."
"Beauty above all beauty!"
– St. Catherine of Siena

Showing posts with label The Passion. Show all posts
Showing posts with label The Passion. Show all posts

Friday, April 10, 2020

Gospel of John, Part 4


Part 1 on this series on John’s Gospel is here.  
Part 2 is here. 
Part 3 is here.  

With the closing of chapter 12, we have come to the end of Jesus’ ministry and we come to what amounts for the last supper in John’s Gospel.  John doesn’t narrate the institution of the Eucharist as the other Gospel’s do at the last supper, but he does narrate two striking scenes.  Let’s look at the second scene first.  I find interesting that we see Jesus handing bread out in John’s last supper, only the bread is not His body and He hands it only to Judas Iscariot.  When Jesus announces that one of the disciples will betray Him, and they ask Him who it is, Jesus uses bread signify the guilty one.

“It is the one to whom I hand the morsel after I have dipped it.” So he dipped the morsel and [took it and] handed it to Judas, son of Simon the Iscariot.  After he took the morsel, Satan entered him. So Jesus said to him, “What you are going to do, do quickly.”  (John 13:26-27)

What to make of it?  Perhaps if you approach the Eucharist with an unworthy heart, it actually becomes the inverse of the body of Christ.

Any thoughts on why John doesn’t narrate the institution of the Eucharist?  Obviously he knew about it.  The fact that there’s a last supper, that he goes to great length in chapter 6 on eating the  body of Christ, and this “inverse” morsel of bread He gives to Judas shows John’s knowledge of it.  My hunch is John doesn’t narrate it because it’s been done already.  He seems to go to great length not to repeat the other Gospels, and I think he doesn’t feel the need to repeat the institution narrative.

The other striking scene is the foot washing scene. 

So, during supper, fully aware that the Father had put everything into his power and that he had come from God and was returning to God, he rose from supper and took off his outer garments. He took a towel and tied it around his waist.  Then he poured water into a basin and began to wash the disciples’ feet and dry them with the towel around his waist.  He came to Simon Peter, who said to him, “Master, are you going to wash my feet?”  Jesus answered and said to him, “What I am doing, you do not understand now, but you will understand later.”  (John 13:3-7)

Later Jesus explains the significance.

So when he had washed their feet [and] put his garments back on and reclined at table again, he said to them, “Do you realize what I have done for you?  You call me ‘teacher’ and ‘master,’ and rightly so, for indeed I am.  If I, therefore, the master and teacher, have washed your feet, you ought to wash one another’s feet.  I have given you a model to follow, so that as I have done for you, you should also do.  Amen, amen, I say to you, no slave is greater than his master nor any messenger greater than the one who sent him.  If you understand this, blessed are you if you do it.  (John 13:12-18)

He calls Himself “teacher” and “lord” but that doesn’t quite do it justice.  He is King of the universe, God Himself who will come to judge the living and the dead, and He lowers Himself to do the lowest menial task, the washing of people’s feet.  And He says, this is the model we are to follow.  To follow Jesus then is to be servant to each other, to find dignity in what appears to be undignified.



This is another example of Jesus inverting the norm.  The poor become exalted, a slave becomes king, love becomes power, the dead come to life.

Every parish recreates the foot washing scene every Holy Thursday.  Have any of you had the honor of being selected to be one whose feet get washed?  I was selected a few years ago.  It was a great moment. 

###

All the narrative scenes and the chapters of the signs in John’s Gospel are memorable, from chapters one through thirteen, and then the passion narrative of chapters eighteen and nineteen are extremely engaging as are the resurrection scenes of twenty and twenty-one.  But the chapters in between the signs and passion narrative, fourteen through seventeen, become a blur.  They are filled with discourse and Jesus’ prayer, and so I think become indistinguishable.  At least for me.  As a unit, it is referred to as Jesus’ Farewell Discourse.  I put together this little table to capture the gist and highlights of those four chapters in the hopes of them being more distinct in the mind.

Chapter 14:
Themes:
(1) Jesus as the way
(2) The Holy Spirit as the Advocate and Spirit of Truth

Key Sayings:
(1) No one comes to the Father except through me
(2) Whoever believes in me will do the works that I do
(3) If you love me, you will keep my commandments
(4) I am the way and the truth and the life.

Chapter 15:
Themes:
(1) Discourse on the vine and the fruit
(2) Discourse on being hated on account of Jesus

Key Sayings:
(1) I am the vine, you are the branches. 
(2) Whoever remains in me and I in him will bear much fruit, because without me you can do nothing.

Chapter 16:
Themes:
(1) Discourse on the Advocate, the Spirit of Truth
(2) Discourse on Jesus Going and Returning

Key Sayings:
(1) I came from the Father and have come into the world. Now I am leaving the world and going back to the Father.
(2) I have told you this so that you might have peace in me. In the world you will have trouble, but take courage, I have conquered the world.

Chapter 17:
Themes:
(1) Prayer that His disciples may know the Father
(2) Prayer that His followers may be one

Key Sayings:
(1) Holy Father, keep them in your name that you have given me, so that they may be one just as we are.
(2) I pray not only for them, but also for those who will believe in me through their word, so that they may all be one, as you, Father, are in me and I in you

I have found that chapter 17 to come up in debates.  Jesus prays that His Church be one.  All those who have splintered off from the original Church are really in violation of Jesus’ wish. 

I hope this summary helps as the readings from these chapters come up at Mass.

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Two scenes have always caught my interest in John’s passion account.  First is the scene when the soldiers come for Jesus.

So Judas got a band of soldiers and guards from the chief priests and the Pharisees and went there with lanterns, torches, and weapons.  Jesus, knowing everything that was going to happen to him, went out and said to them, “Whom are you looking for?”  They answered him, “Jesus the Nazorean.”  He said to them, “I AM.” Judas his betrayer was also with them.  When he said to them, “I AM,” they turned away and fell to the ground.  So he again asked them, “Whom are you looking for?” They said, “Jesus the Nazorean.”  Jesus answered, “I told you that I AM. So if you are looking for me, let these men go.”  (John 18:3-8)

I always get a kick out of the way the soldiers fall to the ground when Jesus says the divine name, “I AM.”  It’s a little slapstick moment.  It shows that Jesus has the power to walk away from this if He so wished.  He is in control.  He commands the situation: “Who are you looking for?”  “That’s me.”  “Let these men go.” 

This recalls a moment earlier in John’s Gospel in chapter ten.  After the Good Shepherd discourse, Jesus says, “No one takes [my life] from me, but I lay it down on my own. I have power to lay it down, and power to take it up again” (John 10:18).  He has the power.  His life is not taken from Him.  He freely allows them to take it.  So when they come to arrest Him, the soldiers falling down to the force of His words, it is a manifestation of His power.

The other scene that captures my imagination is the interrogation scene before Pilate. 

So Pilate went back into the praetorium and summoned Jesus and said to him, “Are you the King of the Jews?”  Jesus answered, “Do you say this on your own or have others told you about me?”  Pilate answered, “I am not a Jew, am I? Your own nation and the chief priests handed you over to me. What have you done?”  Jesus answered, “My kingdom does not belong to this world. If my kingdom did belong to this world, my attendants [would] be fighting to keep me from being handed over to the Jews. But as it is, my kingdom is not here.”  So Pilate said to him, “Then you are a king?” Jesus answered, “You say I am a king. For this I was born and for this I came into the world, to testify to the truth. Everyone who belongs to the truth listens to my voice.”  Pilate said to him, “What is truth?”  (John 18:33-38)

Here’s a bit of a confession.  Pontius Pilate is the person in the New Testament with who I most identified.  Pilate here is the model of efficiency.  Get to the facts.  Understand the situation, and come to a decision.  “What have you done?”  “Then you are a King?”  What is truth?”  He is a Roman officer ready to administrate.  Pilate is me in charge of an engineering project.  Figure it out, get the facts, find the truth, and make it work. 

But Pilate is baffled.  This criminal before him doesn’t behave like a criminal.  There is something mystical here.  He is trying to understand Jesus.  He can’t penetrate the situation.  He’s trying to calculate.  I’ve had that so many times in trying to figure what physics are doing in a design.  Why isn’t it working?  The design is talking back to me.  “There is a truth.”  And I say, “What is truth?  Truth is what works.”  That is the life of an efficient engineer.  But at least there isn’t a moral problem with what I’m doing.  It’s only an inanimate design, mere metal, electrical, or chemical parts.  Pilate has before him a human being.  He wants to do what’s moral.  But when the situation gets close to a riot, then the calculation becomes what’s moral is to keep stability.  And so Jesus has to die.  Efficiency finds an answer.

They changed the words a bit, but Rod Steiger plays a great Pontius Pilate in Jesus of Nazareth.  Here’s that scene.



Always good to see that movie. 

Kerstin Replied:
I find it interesting that you identify with Pilate, Manny. I suppose as a German I fall into this category too ;-) I like efficiency. Right now I am thinking of re-arranging some stuff in my kitchen because the way I organized it doesn't quite fit the work flow...

Looking at your argument of efficiency, we do get carried away and push God out of the way. Pilate rightly calculates that a riot is never good, but he misses that by doing so he pushes God out of the way. How many times - despite the niggling feeling to the contrary - do we push God out of the way? Probably more often than we care to admit.

My Reply:
Haha, Germans have made some very good engineers over the last few centuries.

If I were in Pilate's shoes with Pilate's knowledge, I doubt I would have followed a different course of action. Pilate tries to get Jesus off, but it just got out of control. If I were to do something different, I guess I could have let Jesus go and lock down Jerusalem. But in all likelihood, the Romans would not have had enough soldiers to restrain the mob.

Tuesday, March 22, 2016

Music Tuesday: Fox TV’s The Passion

This was on TV Sunday night, Palm Sunday, and I missed it.  I didn’t know about it, but I did see the blog posts Monday Morning.  It’s a musical narrative of Christ’s last week leading to the Resurrection.  Kathy Schiffer, the producer of the show, writes about it on Aleteia.  

“I didn’t want to create a show just for believers. I wanted to reach those who know nothing!”

Adam Anders is talking about his latest project, The Passion, a creative and contemporary retelling of the Gospel narrative which will be broadcast live from New Orleans on Palm Sunday. Anders is executive producer and executive music producer for The Passion. At Fox’s New Orleans studio, he talked to reporters about the project.

Here is the trailer:



Kathy continues on how the idea came about:

Anders first got the idea for The Passion after he was invited to attend a similar large-scale production in Holland. In that country, he reported, only 7 percent of the population goes to church. In contrast, since the musical production of The Passion was introduced there in 2011, it has been viewed by more than 50 percent of Holland’s populace. Anders was excited to realize that this performance could bring the Gospel to people who might otherwise know nothing about it.

“The Catholic Church [in the Netherlands] got behind it, helping to fund and promote it,” Anders told me. “It just took the country by storm. So when I saw that response in a country that’s largely atheist, I thought This is perfect! We’ve got to get it here!”

What a fantastic idea, and New Orleans is a great selection for the host city.  Kathy continues:

The procession will originate at New Orleans’ iconic Superdome, where thousands of displaced persons took refuge during Hurricane Katrina. The relevance of New Orleans as a “resurrected city” is not lost on Anders. “Tyler Perry, who grew up in New Orleans, will talk about it,” he told me. “The Superdome, where this starts, has become a symbol of suffering. There is, in people’s minds, that powerful visual of people trapped by the swirling floodwaters. So many lives have been changed — for better and worse. The city lost thousands of people, some who died and some who left and never came back. My own brother lived here and never returned after Katrina. Now he’s back here for the first time — he’ll be playing in the band.”

So who is in it? 

The Passion features a star-studded cast from a wide range of musical genres. Tyler Perry is the host and narrator. Cuban American singer/songwriter/actor Jencarlos Canela will play Jesus, clad in a beige trenchcoat. Chris Daughtry stars as Judas, and Trisha Yearwood portrays Jesus’ mother, Mary. British singer/songwriter Seal steps into the role of Pontius Pilate. Christian artist Michael W. Smith plays a disciple. And Nischelle Turner, entertainment correspondent for CNN and anchor/correspondent for Entertainment Tonight in effect plays herself — as a reporter on the streets of New Orleans, interviewing people from the crowd during the live procession. Three musical groups — a band from Los Angeles, a New Orleans jazz band and a choir of voices from local churches — will perform, and there will be an appearance by New Orleans’ famed Preservation Hall Jazz Band.

To be honest, other than Seal, I don’t know any of them, but don’t go by me.  I’m pop culture illiterate.  Christopher Rossi gave it a fine review on his blog, Christopher Closeup:  /

The use of modern songs as the heart of the production showed that God (or at least a spiritual subtext) can be found in popular culture if we open our eyes and ears. Jencarlos Canela as Jesus singing “Calling All Angels” in the Garden of Gethsemane was especially fitting. (“When there is no place safe and no safe place to put my head / When you feel the world shake from the words that are said / And I’m calling all angels / I’m calling all you angels.”). And his duet with Prince Royce as Peter on the Phillip Phillips hit “Home,” brought a new dimension to the song when thought of from the point of view of how Peter felt when Jesus told him he would be the head of His church. (“Settle down, it’ll all be clear / Don’t pay no mind to the demons / They fill you with fear / The trouble—it might drag you down / If you get lost, you can always be found / Just know you’re not alone / ‘Cause I’m gonna make this place your home.”)

Now if you missed it like I did, you can still watch it on streamed at Fox.com, here. 

I’ve been watching it and I love it.  It’s gospel and very American music.  I also love the scenes of New Orleans French Quarter.  I’ve only been there once (actually a few months before Hurricane Katrina) and I recognize a number of the wonderful city visuals.