"Love follows knowledge."
"Beauty above all beauty!"
– St. Catherine of Siena

Showing posts with label Ford Madox Ford. Show all posts
Showing posts with label Ford Madox Ford. Show all posts

Tuesday, April 17, 2018

Lines I Wished I’d Written: Tietjens Under Fire, from Parades End


This scene in A Man Could Stand Up, the third novel of the Parades End tetralogy by Ford Madox Ford is magnificently drawn out.  It’s World War I in the trenches and the hero, Christopher Tietjens, is trying to defend against a German offensive.  There is a young soldier, Aranjuez, who has sunk into the mud, and most of the scene deals with Tietjens pulling him out and carrying him to safety, all the while bullets and bombs hurling about him.  The language simplifies immensely to simulate the fragmenting thoughts of the soldiers under immense pressure.  Compare the staccato, simple sentences of this battle scene with lush, flowing language of an earlier part of the book, a scene describing Tietjens’ unfaithful wife, Sylvia, here.  This is a very complex, modernist book, and I’m not sure I completely follow everything, but the characters are really engaging and the writing is exquisite.  Ford Madox Ford is one of the best prose stylist in the English language.  Here’s this remarkable scene.

It was slow, slow, slow…like a slowed down movie.  The earth maneuvered for an infinite time.  He remained suspended in space.  As if he were suspended as he had wanted to be in front of that cockscomb in whitewash.  Coincidence!

The earth sucked slowly and composedly at his feet. 

It assimilated his calves, his thighs.  It imprisoned him above the waist.  His arms being free, he resembled a man in a life-buoy.  The earth moved him slowly.  It was solidish.

Below him, down a mound, the face of little Aranjuez, brown, with immense black eyes in bluish whites, looked at him.  Out of viscous mud.  A head on a charger!  He could see ‘the imploring lips form the words: ‘Save me, Captain!”  He said: ‘I’ve got to save myself first!’  He could not hear his own words.  The noise was incredible.

A man stood over him.  He appeared immensely tall because Tietjens’ face was on a level with his belt.  But he was a small Cockney Tommy really.  Name of Cockshott.  He pulled at Tietjens’ two arms.  Tietjens tried to kick with his feet.  Then he realized it was better not to kick with his feet.  He was pulled out.  Satisfactorily.  There had been two men at it.  A second, a corporal had come.  They were all three of them grinning.  He slid down with the sliding earth towards Aranjuez.  He smiled at the pallid face.  He slipped a lot.  He felt a frightful burning on his neck, below and behind the ear.  His hand came down from feeling the place.  The finger-tips had no end of mud and a little pinkishness on them.  A pimple had perhaps burst.  He had at least two men not killed.  He signed agitatedly to the Tommies.  He made gestures of digging.  They were to get shovels.

He stood over Aranjuez, on the edge of liquid mud.  Perhaps he would sink in.  He did not sink in.  Not above his boot tops.  He felt his feet to be enormous and sustaining.  He knew what had happened.  Aranjuez was sunk in the issuing hole of the spring that made the bog.  It was like on Exmoor.  He bent down over the ineffable, small face.  He bent down lower and his hands entered the slime.  He had to get on his hands and knees.

Fury entered his mind.  He had been sniped at.  Before he had had that pain he had heard, he realized, an intimate drone under the hellish tumult.  There was reason for furious haste.  Or, no….They were low.  In a wide hole.  There was no reason for furious haste.  Especially on your hands and knees.

His hands were under the slime, and his forearms.  He battled his hands down greasy cloth; under greasy cloth.  Slimy, not greasy!  He pushed outwards.  The boy’s hands and arms appeared.  It was going to be easier.  His face was not quite close to the boy’s, but it was impossible to hear what he said.  Possibly he was unconscious.  Tietjens said: ‘Thank God for my enormous physical strength!’  It was the first time that he had ever had to be thankful for great physical strength.  He lifted the boy’s arms over his own shoulders so that his hands might clasp themselves behind his neck.  They were slimy and disagreeable.  He was short in the wind.  He heaved back.  The boy came up a little.  He was certainly fainting.  He gave no assistance.  The slime was filthy.  It was a condemnation of a civilisation that he, Teitjens, possessed of enormous strength, should never have needed to use it before.  He looked like a collection of mealsacks; but at least he could tear a pack of cards in half.  If only his lungs weren’t…

Cockshott, the Tommy, and the corporal were beside him, grinning.  With the two shovels that ought not to have stood against the parapet of their trench.  He was intensely irritated.  He had tried to indicate with his signs that it was Lance-Corporal Duckett that they were to dig out.  It was probably no longer Lance-Corporal Duckett.  It was probably by now ‘it’.  The body!  He had probably lost a man after all!

Cockshott and the corporal pulled Aranjuez out of the slime.  He came out reluctantly, like a lugworm out of sand.  He could not stand.  His legs gave way.  He drooped like a flower done in slime.  His lips moved, but you could not hear him.  Tietjens took him from the two men who supported him between the arms and laid him a little way up the mound.  He shouted in the ear of the Corporal:

‘Duckett!  Go and dig out Duckett!  At the double.’

He knelt and felt the boy’s back.  His spine might have been damaged.  The boy did not wince.  His spine might be damaged all the same.  He could not be left there.  Bearers could be sent with a stretcher if one was to be found.  But the might be sniped coming.  Probably, he, Tietjens, could carry that boy, if his lungs held out.  If not, he could drag him.  He felt tender, like a mother, and enormous.  It might be better to leave the boy there.  There was no knowing.  He said: ‘Are you wounded?’  The guns had mostly stopped.  Tietjens could not see any blood flowing.  The boy whispered: ‘No, sir!’  He was, then, probably just faint.  Shell shock very likely.  There was no knowing what the shell shock was or what it did to you.  Or the mere vapour of the projectile. 

He could not stop there.

He took the boy under his arm as you might do a roll of blankets.  If he took him on his shoulders he might get high enough to get sniped.  He did not go very fast, his legs were so heavy.  He bundled down several steps in the direction of the spring in which the boy had been.  There was more water.  The spring was filling up that hallow.  He could not have left the boy there.  You could only imagine that his body had corked up the springhole before.  This had been like being at home where they had springs like that.  On the moors, digging out badgers.  Digging earth drains, rather.  Badgers have dry lairs.  On the moors above Groby.  April sunlight.  Lots of sunlight and skylarks.

He was mounting the mound.  For some feet there was no other way.  They had been in the shaft made by the projectile.  He inclined to the left.  To the right would take them quicker to the trench, but he wanted to get the mound between them and the sniper.  His breathing was tremendous.  There was more light falling on them.

Exactly…Snap!  Snap!  Snap!...Clear sounds from a quarter of a mile away…Bullets whined overhead.  Long sounds, going away.  Not snipers.  The men of a battalion.  A chance!  Snap!  Snap!  Snap!  Bullets whined overhead.  Men of a battalion get excited when shooting at anything running.  They fire high.  Trigger pressure.  He was now a fat, running object.  Did they fire with a sense of hatred or fun!  Hatred probably.  Huns have not much sense of fun.

His breathing was unbearable.  Both his legs were like painful bolsters.  He would be on the relatively level in two steps if he made them…Well, make them!...He was on the level.  He had been climbing, up clods.  He had to take an immense breath.  The ground under his left foot gave way.  He had been holding Aranjuez in front of his own body as much as he could, under his right arm.  As his left foot sank in, the boy’s body came right on top of him.  Naturally this stiffish earth in huge clods had fissures in it.  Apertures.  It was not like regular digging. 

The boy kicked, screamed, tore himself lose….Well, if he wanted to go!  The scream was like a horse’s in a stable on fire.  Bullets had gone overhead.  The boy rushed off, his hands to his face.  He disappeared round the mound.  It was a conical mound.  He, Tietjens, could now crawl on his belly.  It was satisfactory.

He crawled.  Shuffling himself along with his hips and elbows.  There was probably a text-book way of crawling.  He did not know it.  The clods of earth appeared friendly.  For bottom soil thrown to the top they did not feel or smell so very sour.  Still, it would take a long time to get them into cultivation or under grass.  Probably, agriculturally speaking, that country would be in pretty poor condition for a long time….

He felt pleased with his body.  It had no exercise to speak of for two months—as second-in-command.  He could not have expected to be in even the condition he was in.  But the mind had probably had a good deal to do with that!  He had, no doubt, been in a devil of a funk.  It was only reasonable.  It was disagreeable to think of those Hun devils hunting down the unfortunate.  A disagreeable business.  Still, we did the same….That boy must have been in a devil of a funk.  Suddenly.  He had held his hands in front of his face.  Afraid to see.  Well, you couldn’t blame him.  They ought not to send out school-girls.  He was like a girl.  Still, he ought to have stayed to see that he, Tietjens, was not pipped.  He might have thought he was hit from the way his left leg had gone down.  He would have to be strafed.  Gently.

Wednesday, June 18, 2014

Lines I Wish I’d Written: Sylvia Tietjens from Parade’s End by Ford Madox Ford

I finished the first novel, Some Do Not…, of Ford Madox Ford’s tetralogy, Parade’s End.  What a great work.  It’s high modernism, which usually means it’s complex, much of the action within the subconscious, and unconventional.  It’s as if one combined Henry James, James Joyce, and D. H. Lawrence.  I’ll have a post where I’ll provide some thoughts, but for now I wanted to just share this finely written passage.  The central character of the novel is Christopher Tietjens, and his wife Sylvia is one of the most distinct characters in all of literature: unfaithful, cruel, stunningly beautiful, aristocratic, and utterly self-confident.  Here is a mostly expository description of her character. 
 

Sylvia Tietjens rose from her end of the lunch-table and swayed along it, carrying her plate.  She still wore her hair in bandeaux and her skirts as long as she possibly could; she didn’t, she said, with her height, intend to be taken for a girl guide.  She hadn’t, in complexion, in figure or in the languor of her gestures, aged by a minute.  You couldn’t discover in the skin of her face any deadness; in her eyes the shade more of fatigue than she intended to express, but she had purposely increased her air of scornful insolence.  That was because she felt that her hold on men increased to the measure of her coldness.  Someone, she knew, had once said of a dangerous woman, that when she entered the room every woman kept her husband on the leash.  It was Sylvia’s pleasure to think that, before she went out of the room, all the women in it realised with mortification—that they needn’t!  For if coolly and distinctly she had said on entering: ‘Nothing doing!’ as barmaids will to the enterprising, she couldn’t more plainly conveyed to the other women that she had no use for their treasured rubbish. 

Once, on the edge of a cliff in Yorkshire, where the moors come above the sea, during one of the tiresome shoots that are there the fashion, a man had bidden her observe the demeanor of the herring gulls below.  They were dashing from rock to rock on the cliff face, screaming, with none of the dignity of gulls.  Some of them even let fall the herrings that they had caught and she saw the pieces of silver dropping into the blue motion.  The man told her to look up; high, circling and continuing for a long time to circle; illuminated by the sunlight below, like a pale flame against the sky was a bird.  The man told her that that was some sort of fish-eagle or hawk.  Its normal habit was to chase the gulls which, in their terror, would drop their booty of herrings, whereupon the eagle would catch the fish before it struck the water.  At the moment the eagle was not on duty, but the gulls were just as terrified as if it had been.   

Sylvia stayed for a long time watching the convolutions of the eagle.  It pleased her to see that, though nothing threatened the gulls, they yet screamed and dropped their herrings…The whole affair reminded her of herself in her relationship to the ordinary women of the barnyard….Not that there was the breath of scandal against herself; that she very well knew, and it was her preoccupation just as turning down nice men—the ‘really nice men’ of commerce—was her hobby. 

She practiced every kind of ‘turning down’ on these creatures: the really nice ones, with the Kitchener moustaches, the seal’s brown eyes, the honest, thrilling voices, the clipped words, the straight backs and the admirable records—as long as you didn’t enquire too closely.  Once, in the early days of the Great Struggle, a young man—she had smiled at him in mistake for someone more trustable—had followed in a taxi, hard on the motor and flushed with wine, glory and the firm conviction that all women in that lurid carnival had become common property, had burst into her door from the public stairs…She had overtopped by the forehead and before a few minutes were up she seemed to him to have become ten foot high with a gift of words that scorched his backbone and the voice of a frozen marble statue: a chaud-froid effect.  He had come in like a stallion, red-eyed, and all his legs off the ground: he went down the stairs like a half-drowned rat, with dim eyes and really looking wet, for some reason or other. 

Yet she hadn’t really told him more than the way one should behave to the wives of one’s brother officers then actually in the line, a point of view that, with her intimates, she daily agreed was pure bosh.  But it must have seemed to him like the voice of his mother—when his mother had been much younger, of course—speaking from paradise, and his conscience had contrived the rest of his general wetness.  This, however, had been melodrama and war stuff at that: it hadn’t, therefore, interested her.  She preferred to inflict deeper and more quiet pains.
 

What a way to connect her with a hawk.  That is her subconscious identity brought to the fore.

Tuesday, June 3, 2014

Notable Quotes: No More Parades by Ford Madox Ford

I’ve been reading Ford Madox Ford’s Parade’s End, a tetralogy (a sequence of four books)set during and after the first world war.  It’s as good as any novel in the high modernist period, which means it is difficult, but transcending.  Perhaps it’s me, but I love the literature from between the world wars.  That’s what I specialized in college.  Let  me also say that Ford may be the best prose writer in English of his era.  And when you consider that’s including James Joyce, Virginia Woolf, D. H. Lawrence, F. Scott Fitzgerald, William Faulkner, Ernest Hemingway that is saying a lot.  A heck of a lot. 

I’m going to quote this wonderful gem from the second novel of the tetralogy, No More Parades.  It has nothing to do with writing, as a lot of my notable quotes do though Ford had lots to say on writing, but more on how dejected I’ve been the last two days over some current events.  I’m not going to get into it.  Politicians should be barred from making any military decisions.  Or get better politicians. 
Ford, by the way, volenteered and served in the first world war at the age of forty-one.  The picture I provide below is Ford in uniform, a picture I've never seen before.  He looks rather exhausted and beaten. 
 
No more Hope, no more Glory, no more parades for you and me any more. Nor for the country... nor for the world, I dare say... None... Gone.
        -Ford Madox Ford