"Love follows knowledge."
"Beauty above all beauty!"
– St. Catherine of Siena

Showing posts with label Guy Bedouelle O.P.. Show all posts
Showing posts with label Guy Bedouelle O.P.. Show all posts

Wednesday, September 4, 2019

In the Image of Saint Dominic: Nine Portraits of Dominican Life by Guy Bedouelle, O.P., Part 2

On Friday I gave a short review of In the Image of Saint Dominic: Nine Portraits of Dominican Life by Guy Bedouelle, O.P.  As I mentioned the book creates a spiritual portrait of nine members of the Order of Preachers that represent some charism of the Dominicans, all of which reflect some aspect in the character of the order’s holy founder, St. Dominic de Guzman.  What I’ve done here is identified a short quote for each of the nine portraits that best highlights that Dominicans qualities and a quote on St. Dominic himself, which makes ten quotes in all.  Here are the ten quotes.

1. Blessed Jordan of Saxony: “Jordan recalls unceasingly that the center of Dominican life is Jesus Christ, who restores all things in himself, in whom God has restored all things: the abbreviated Word—Verbum abbreviatum—a well-known patristic and medieval theme, but one which takes on a special resonance when used by a Friar Preacher and a “Sister Preacheress.”

2. Saint Peter of Verona: "We should not forget that Peter of Verona, called Peter Martyr, the first saint of the Order, after its founder, to be canonized, was an Inquisitor. Born of Catharist parents, he entered the Dominican Order in 1221, a few months before the death of St. Dominic, who himself received him in Bologna."

3. St. Thomas Aquinas: "The 'dumb Ox' as his brethren nicknamed him, was notably taciturn and silent, 'eager at study and given to prayer' (in studio assiduous et in oratione devotus).  All were struck by the humility of this extraordinary mind. [Biographer William of] Tocco had this to say: 'He was aware that all his knowledge was God's gift; this is why no movement of vainglory could ever darken his soul, knowing as he did that each day he received the light of divine truth.”

4. St. Catherine of Siena: "After receiving at the age of eighteen the black and white habit of the Sisters of Penance of St. Dominic, "the white symbolizing innocence and the black humility," this mantellata was led to marriage "in faith" with Christ.  In a vision known to mysticism within the Church and elsewhere in the Order, Christ exchanged his heart with his servant Catherine."

5. Fra Angelico (Blessed John of Fiesole): "His painting never ceases to speak of the Incarnation, manifesting a renewed order in the world that is expressed by light. Finally, it accords an exceptional place to the Virgin Mary, seen as the model of the creature living in perfect friendship with God in the midst of the joys and sufferings that mark salvation history."

6. Bartolomé de las Casas: “Las Casas was simply expressing in his forceful way the two convictions underlying the Christian mission.  The evangelist must speak with the voice of friendship and persuasion, and the one who hears the word must accept it freely.  For at bottom, this is what it is all about: the fight for justice for the Indians is also a fight for their freedom.  This freedom belongs by right to every man created in the image of God and ransomed by him.”

7. St. Catherine de Ricci: "What comes down to us from St. Catherine herself is a voluminous correspondence, consisting mainly in spiritual direction.  In it we find much energy, common sense, realism, and especially an appeal to joyousness. There is nothing lugubrious about her, no wild or extravagant play of imagination, and in her letters she makes absolutely no allusion to her supernatural privileges and mystical trials.  At most she occasionally mentions her great weariness."

8. St. Martin de Porres: “Thus in little Martin’s blood there flowed two historic destinies, two cultures, that of victorious Catholic Spain and that of the blacks deported to America for manual labor in this immense land to be exploited after the destruction of the Incas.  His very skin bore the mark of the unprivileged of this time, but his swarthy face would come to radiate the light of charity.”

9. Jean-Baptiste Henri Lacordaire: “To the very end, Lacordaire defended the consequences of his “liberal Catholicism,” such as the separation of church and state, or his preference for a papacy relieved of the temporal duties that fell to the Church in Italy.  He died on November 21, 1861.  On all fronts Lacordaire had championed liberty, with one object deliberately pursued: the reconciliation of the Church and the modern world as it issued from the French Revolution of 1789.  He judged this world, and rightly, to be the world of the future.”

10. St. Dominic: "As the Letter to the Romans puts it, 'If the root is holy, so are the branches.' St. Dominic is the 'Patriarch' of whom Gregory IX spoke in the bull of canonization, who would 'beget', according to the expression of St. Paul to the Corinthians, 'a great number of sons devoting themselves with wonderful zeal to an evangelical ministry.'  In this text of July 3, 1234, the Pope drew a parallel between Dominic and the prophets, predecessors of the Founder of the Preachers.  After eight centuries of Dominican life, with its glories and trials, we can see how the paternal figure of St. Dominic contains in germ different types of holiness that have been actualized in the course of history."


I hope you enjoyed this and got to understand the spirituality of the Order of Preachers, an order I am very close to.

Friday, August 30, 2019

In the Image of Saint Dominic: Nine Portraits of Dominican Life by Guy Bedouelle, O.P.

 Guy Bedouelle, O.P.’s compendium of portraits of Dominicans in In the Image of Saint Dominic: Nine Portraits off Dominican Life intends to capture the mural of Dominican spirituality through a collage of individual holy men and women who carry some aspect of the holy founder’s character.  “After eight centuries of Dominican life, with its glories and trials,” Bedouelle surmises, “we can see how the paternal figure of St. Dominic contains in germ different types of holiness that have been actualized in the course of history."  From its founder, then, all Dominicans are expressed.

Bedouelle limits himself to nine such expressions.  Nine is a special number for Dominicans.  The nine expressions echo the nine ways of prayer St. Dominic de Guzman created to move the body closer to Christ.  So each portrait moves us closer to Christ in the image of St. Dominic.

Whose portraits make up the nine?  Seven are men and two women.  Five are canonized and four are not.  Seven are first order Dominicans while two are tertiaries.  They span from the founding of the order in the early 13th century to mid-19th century, from the rapid blossoming of the order to the decline and then resurgence.  They span from contemplatives to writers to artists to preachers to social activists.  They span the breadth and rich complexity of this venerable order.

What are the charisms that compose St. Dominic’s character?  Given the Order of Preachers there is preaching, of course, as exemplified in Blessed Jordan of Saxony; there is the defense of the faith in St. Peter of Verona, the talent for study in St. Thomas Aquinas, the capacity for prayer in St. Catherine of Siena, the transmission of beauty in Blessed Fra Angelico, the struggle for social justice in Bartolomé de las Casas, the grace of mysticism in St. Catherine di Ricci, the love of humility in St. Martin de Porres, and the charm of friendship in Henri-Dominique Lacordaire.

Each portrait provides a brief biographical note, a brief historical context to the subject, and converges on the subject’s charism.  The operating word for what does not add to the charism is “brief,” because everything is focused on the subject and his charism.  Bedouelle ends each portrait with a passage from the Office of Readings and a short responsory pertaining to the subject.  It truly is a spiritual portrait and not a biographical passage.

The portraits that work best (Thomas Aquinas, de las Casas) crystalize the charism and capture the subject and his nature succinctly and elegantly.  Here on Aquinas:

"The 'dumb Ox' as his brethren nicknamed him, was notably taciturn and silent, 'eager at study and given to prayer' (in studio assiduous et in oratione devotus).  All were struck by the humility of this extraordinary mind. [Biographer William of] Tocco had this to say: 'He was aware that all his knowledge was God's gift; this is why no movement of vainglory could ever darken his soul, knowing as he did that each day he received the light of divine truth.’”

Portraits that don’t work as well don’t seem to find the succinct image and language that crystallizes both subject and charism.  The portrait of St. Peter of Verona seemed vague.  Another critique could be that holding to nine portraits left out some important charisms.  Noticeably absent is the charism on teaching per someone like St. Albert the Great and reflected in all the wonderful Dominican Sisters who taught and continue to teach in schools of all grade levels.

Still this is a wonderful book that provides insight to Dominican spirituality.  Bedouelle brings it all back to the founder.  “The calm but unmistakable authority of St. Dominic, his decisiveness, his way of leading by example rather than words, and above all the remarkable balance of the institutions he founded all witness to the discrete audacity that characterized his sanctity.”  From the root spring the branches, and from these nine branches the fruit of Dominican spirituality.