This
is the third and final post of George MacDonald’s collection of Christmas poems
and short stories under the book title, My
Little King.
You
can read Post #1, on the poem, “A Christmas Carol,” here.
You
can read Post #2 on the short story, “The Gifts of the Child Christ,” here.
This
post will focus on the short story, “My Uncle Peter.” You can read the story online at The Literature Network, here. It is part of a volume of MacDonald’s stories
interweaved in a frame story called Adela
Cathcart. “My Uncle Peter” is in
chapters 14 and 15. You can skip the
frame narrative. The story in my My Little King collection does not
include it.
Summary
A
story told from the first person of Charlie about his Uncle Peter, a man born
on Christmas Day and whose wish is that he die on Christmas Day. Peter is a good hearted person, a lifelong
bachelor, who does surprising acts of charity for his family and anyone who he
comes across that needs it. He takes
great joy in these acts. There are two
inflection points in Uncle Peter’s life.
The first is when he inherits a large sum of money, and then the acts of
charity go up exponentially. The second
is when he comes across a little beggar girl, perhaps a gypsy, who is without
parents but lives with an abusive aunt.
Uncle Peter takes in the girl as an adopted child and raises her to be a
noble woman.
###
So
what’s unique about “My Uncle Peter?” Is
a story about a totally good man interesting?
For the most part I enjoyed it, though I do have one little criticism,
and I’m not sure if it’s a valid criticism.
I’ll get to later. First let’s
try to pick out the highlights and ask some questions.
What
do we know about Peter Belper? We do
catch his last name at one point, but it doesn’t seem to have any
significance. The most significant
feature about Peter—according to him, I think—is that he was born on Christmas
Day, and he wishes to die on Christmas Day.
We know, alas, that from an offhand remark by Charlie, who is telling
the story in retrospect, that he does not die on Christmas Day. In a way, this seems odd since so many other
events take place on Christmas Day, that a reader might think there is some significance
to not dying on that day on the calendar.
We know that Peter is a life-long bachelor, though there was a hint of a
previous love that has saddened his life.
We know Peter is a religious man, going to church regularly and has
definite opinions on theology. We know
he has no attachment to money, giving it away in what I would call radical
charity. I think the oddest
characteristic of Peter is his exuberant boyishness, almost as if he never grew
up, but he has and he does live the life of an adult. It’s his joy that gets expressed as boyishness. Here’s when he takes Charlie for the first
time to a toy store to choose his Christmas present.
I wandered about, staring
like a distracted ghost at the 'wealth of Ormus and of Ind,' displayed about
me. Uncle Peter followed me with perfect patience; nay, I believe, with a
delight that equalled my perplexity, for, every now and then when I looked
round to him with a silent appeal for sympathy in the distressing dilemma into
which he had thrown me, I found him rubbing his hands and spiritually chuckling
over his victim. Nor would he volunteer the least assistance to save me from
the dire consequences of too much liberty. … As soon as, in despair of choosing
well, I had made a desperate plunge at decision, my Uncle Peter, as if to
forestall any supervention of repentance, began buying like a maniac, giving me
everything that took his fancy or mine, till we and our toys nearly filled the
cab which he called to take us home.
Peter
gets a sort of thrill in watching Charlie caught in indecision, and then buys
“like a maniac” anyway, even after he picked one. When Peter receives the letter with his
inheritance, he jumps on the table to dance, and when the table collapses he
continues dancing “amidst its ruins like Nero in blazing Rome.” With his wealth he went around the
neighborhood giving out presents, presents of money hidden in rather mundane
objects, rubbing his hands in glee as he dropped them off. When one woman catches him and questions him,
and he responds naively and she accepts it, Peter again does a strange dance.
She kept the parcel and
shut the door. When I looked round I saw my uncle going through a regular
series of convolutions, corresponding exactly to the bodily contortions he must
have executed at school every time he received a course of what they call
_palmies_ in Scotland; if, indeed, Uncle Peter was ever even suspected of
improper behaviour at school. It consisted first of a dance, then a double-up;
then another dance, then another double-up, and so on.
Again
he goes into a weird gyration. The
radical charity is strange enough, but these boyish body movements seem rather
perverse. But there is no harm or evil
or baseness to his perversion. It’s as
if it’s a perversion of goodness. If
this had been a modernist story by a “sophisticated” writer, there is a very
good chance that the “strangeness” of the central character would have been
toward some baseness. But not in this
story.
###
Madeline
Commented:
I wonder how many of us
have a bachelor uncle like Peter. He is a paradigm of a blessed vocation to the
single life.
My
Reply:
I have a bachelor uncle
who eventually got married in his fifties. I wouldn't say he was a saint, but
he was (and still is) incredibly handy at fixing anything. If you had, and
still today, a repair problem all you had to do is call. Come to think of it,
he was the one who taught me how to drive.
###
So
what is the significance of so many events in the story occurring on Christmas
Day? Is it just a way for MacDonald to
make the story a Christmas story? Could
he have written almost the same story without the events occurring on Christmas
Day?
First let’s list the Christmas occurrences. Peter is born on Christmas Day. He wants to die on Christmas Day. He takes Charlie Christmas shopping on
Christmas Eve. He finds out he has
inherited a fortune on Christmas Eve. He
goes out and gives presents on Christmas Day.
He dresses up and plays with his nephew and nieces on Christmas. He finds the little girl who he will adopt on
Christmas Day, The little girl’s name is “Little Christmas,” and she too was
born on Christmas Day. When Chrissy was
thirteen and got abducted a month before Christmas, she found her way back to
Peter on Christmas Day. Perhaps there
are more Christmas instances, but that is quite enough. It makes the point.
Are these just forced Christmas occurrences? Perhaps some but I think it emphasizes the
magic around Uncle Peter’s giving spirit. But it does even more than that. Christmas is linked narratively to
Peter. This is how he explains his
radical generosity.
And to hear him defend
any of his extravagancies, it would appear that he considered himself
especially privileged in that respect. 'Ah, my dear,' he would say to my mother
when she expostulated with him on making some present far beyond the small
means he at that time possessed, 'ah, my dear, you see I was born on
Christmas-day.'
His
birth connection to Christmas is so often repeated that it becomes a leitmotif:
'for wasn't I born on Christmas-day?' concluded Uncle Peter for the twentieth
time that forenoon.” And Charlie pays
him a high compliment to his generosity.
"One Christmas-eve
we had been occupied, as usual, with the presents of the following
Christmas-day, and--will you believe it?--in the same lodgings, too, for my
uncle was a thorough Tory in his hatred of change. Indeed, although two years
had passed, and he had had the whole of his property at his disposal since the legal
term of one year, he still continued to draw his salary of L100 of Messrs. Buff
and Codgers. One Christmas-eve, I say, I was helping him to make up parcels,
when, from a sudden impulse, I said to him--
"'How good you are,
uncle!'
"'Ha! ha! ha!'
laughed he; 'that's the best joke of all. Good, my boy! Ha! ha! ha! Why,
Charlie, you don't fancy I care one atom for all these people, do you? I do it
all to please myself. Ha! ha! ha! It's the cheapest pleasure at the money,
considering the quality, that I know. That _is_ a joke. Good, indeed! Ha! ha!
ha!'
But
we know that he does care about these people.
It’s a façade. “How good you are,
uncle!” Uncle Peter is fundamentally a
good man, and his goodness is linked to Christmas in name and birth, but
ultimately it’s linked to Christ who was born on Christmas Day.
And
so I think we can surmise why Uncle Peter does not die on Christmas Day. The clue is in the last sentence of the story.
From that time till now
that she is my wife, Chrissy has had no more such adventures; and if Uncle
Peter did not die on Christmas-day, it did not matter much, for Christmas-day
makes all the days of the year as sacred as itself."
While
yes Charlie says that all the days of the year are sacred because of Christmas,
it is Christmas Day that provides the light of Christ’s love, a love that
shines in Peter. Peter cannot on die on
Christmas because goodness stems from it.
###
To
wrap this up, I think we need to look at the character of Chrissy and the
conclusion of the story. My summary
above I think was a little lacking on the conclusion of the story. The story doesn’t end with Uncle Peter
adopting the little street urchin. She
is transformed in time with love, faith, and decent living. But then an incident happens when she is
thirteen where she is kidnapped and dragged into her old life. A month later she makes her way back home,
returning on Christmas Day, in similar ragged and dirty clothes she was first
found on the street. After bathing and
returning to her clean clothes, she narrates the entire month long ordeal.
She
tells how she was abducted in the street by what might have been her reprobate
aunt and her spouse, how she was stripped of her clothing and given rags,
locked in a room until they came back intoxicated and incapacitated. She was given very little food and when the
adults no longer had use for her, brought her to the country home of a Mrs.
Sprinx where she was indentured into servitude.
While there she made friends with a little boy named Eddie who
eventually gives her a key to escape.
Even after Chrissy finishes this narrative, she convinces Charlie to
take a ride out to Mrs. Sprinx to visit Eddie.
That’s
a rather strange ending. What started as
a story about a whimsical and loving Uncle Peter morphed into a story about the
adventures of his adopted daughter. The
concluding adventures of Chrissy take up a third or more of the story. What does it have to do with Uncle
Peter? He pretty much disappears from
the story. Now I’m not opposed to stories
that evolve from their initial situation, but the evolved story needs I think
two elements for it to work. (1) The
parts of the stories need to be linked structurally and thematically. (2) The
concluding narrative should be more interesting than the initial, or it will
come across as flat.
So
what’s the thematic link? Chrissy is not
as idiosyncratic a character as Uncle Peter, but she is as devout as
Peter. Peter’s goodness has instilled
goodness into Chrissy. Notice Chrissy’s
faith when Charlie asks what she did when locked in the aunt’s room.
"'There was only one
thing to be done, Charlie. I think that is a foolish question to ask.'
"'Well, what _did_
you do, Chrissy?'
"'Said my prayers,
Charlie.'
"'And then?'
"'Said them
again.'
"'And nothing
else?'
"'Yes; I tried to
get out of the window, but that was of no use; for I could not open it. And it
was one story high at least.'
"'And what did you
do next?'
"'Said over all my
hymns.'
"'And then--what _did_
you do next?'
"'Why do you ask me
so many times?'
"'Because I want to
know.'
"'Well, I will tell
you.--I left my prayers alone; and I began at the beginning, and I told God the
whole story, as if He had known nothing about it, from the very beginning when
Uncle Peter found me on the crossing, down to the minute when I was talking
there to Him in the dark.'
Prayers,
hymns, conversing with God, she has put her trust in God. Isn’t that what is at the heart of Uncle
Peter’s radical charity, a relying on God to have enough so that one can share
with others? When she could not escape
and gives into to tears, she comes to another insight into Providence.
I was nearly frozen to
death, and there was all the long night to bear yet. How I got through it, I
cannot tell. It did go away. Perhaps God destroyed some of it for me. But when
the light began to come through the window, and show me all the filth of the
place, the man and the woman lying on the floor, the woman with her head cut
and covered with blood, I began to feel that the darkness had been my friend. I
felt this yet more when I saw the state of my own dress, which I had forgotten
in the dark. I felt as if I had done some shameful thing, and wanted to follow
the darkness, and hide in the skirts of it. It was an old gown of some woollen
stuff, but it was impossible to tell what, it was so dirty and worn. I was
ashamed that even those drunken creatures should wake and see me in it. But the
light would come, and it came and came, until at last it waked them up, and the
first words were so dreadful! They quarrelled and swore at each other and at
me, until I almost thought there couldn't be a God who would let that go on so,
and never stop it. But I suppose He wants them to stop, and doesn't care to
stop it Himself, for He could easily do that of course, if He liked.'
So
thematically Chrissy’s abduction is a return to the abyss from which she
started but now she has her faith to guide her.
She sees God’s hand at work. The
fighting couple will stop when God wants them to stop. Things will work out for her. Later, a human connection is made with Eddie
and that leads to her freedom.
Chrissy’s
adventure is her second struggle through hell, but now she has been graced with
love and faith through Uncle Peter’s nurturing.
She’s a complete human being, possessed of faith and reason. The second narrative is linked to the first
both structurally, by motif—it happens near and on Christmas Day—and
thematically.
But
is the second narrative more interesting than the first? That perhaps is a personal opinion. For me, I would say no. Though Chrissy is a lovely child, and we
wonder how she will escape, she is not as interesting as Uncle Peter, who is a
marvelous creation. The suspense is even
dissipated since we know she returns to narrate the events. I loved this story, but I think the ending
could have been better thought out. What
did you think?
###
Madeline
Commented:
Maybe more detail could
have been given about how Chrissy and the narrator ended up husband and wife.
Was Uncle Peter a matchmaker too?
My
Reply:
LoL, that didn’t bother
me. They were about the same age and in frequent close contact. Seemed a
natural.
Did you like the story?
Madeline’s
Reply:
Yes, I did like it. It
reminded me of Dickens, and his little innocent urchins and obnoxiously
sanguine characters. Even the kidnappers could have come out of Dickens. I
liked best Chrissy's telling of how she endured and escaped by praying through
it. Dickens wouldn't have written that. The characters, except the kidnappers,
of course, were sympathetic and consistently likeable. And I liked the emphasis
on two characters born on Christmas, and how that led to Uncle Peter adopting
her. I agree with you about the ending. Maybe he had a deadline and rushed to
finish it?
My
Reply:
Oh, you are so right.
This owes a bit to Dickens, though I think the prose style is somewhat different.
Kerstin
Commented:
The ending was a little
abrupt. With Christmas stories the ending has to convey the Christian Hope we
mark at this time of year, otherwise they fall flat.