Canto
XXIX
Walking
along with Matelda, though on opposite sides of the river bank, he hears
Matelda sing from Psalm 31, “Blessed whose sins are covered and forgiven,” when
she stops to tell him to watch and listen.
An intense light flashed and glimmered throughout Earthly Paradise so
that the air was glowing. Dante in awe
appeals to the muses to conceive the poetic language that will allow him to
describe it all. Ahead, on the other
bank, he sees what first look like trees but turn out to be golden candelabra
with flame lit at each of the seven tips.
He turns to Virgil, who is also struck in silent awe. Behind the candelabra follows a parade in
full pageantry, each of the people in the parade representing a book from the
Bible. First came the twenty-four
representing the Old Testament. Between
the last four men, representing the four Gospels, was a chariot drawn by a
Griffin, a creature half eagle, half lion, symbolizing Christ with his two
natures. Three ladies were to the
chariot’s right side, representing the three Christian virtues, and four ladies,
representing the Cardinal virtues were on the other side. Seven more men, each representing Acts, the
various Epistles, and the Book of Revelation, completed the pageant. Once the chariot had reached opposite where
Dante was standing, it and everyone stopped, and a sound like thunder boomed.
Canto
XXX
As
the procession stops, a herald sings out “Come forth from Lebanon, my bride,”
and the voices of those in the parade respond with “Blessed are you who
come.” Flowers are then cast up in the
air and the voices now sing, “Oh give the lilies with full hands.” All this is for the dramatic entrance of a
veiled woman dressed in white, green, and red, the colors of the Christian
virtues. Dante recognizes her as
Beatrice and is in awe. He turns to
speak to Virgil but finds Virgil gone and suddenly feels a panic as a child
does when he can’t find his parents. In
distress he starts to weep. And Beatrice
speaks, “Dante, because Virgil has departed/do not weep, do not weep yet—there
is another sword to make you weep.” She
stands in the chariot as an admiral on his ship. Her voice is hard and scornful. She announces she is Beatrice, and upon further
reproaching him, Dante lowers his eyes onto the stream and sees his reflection
and feels shame. The angels about plead
for her to have mercy for him. In
response Beatrice tells them that she can only do so when “sin and sorrow be of
equal measure.” She accounts how having
inspired him through her eyes when young, he strayed and sinned when she no
longer was near. He had sunk so low that
only through this pilgrimage through the supernatural life could he be
reformed.
Canto
XXXI
Completing
her response to the angels, she turns “the sword point of her speech” back
toward Dante and demands whether all she has described be true. Dante, confused and trembling, cannot
speak. Again she demands a
response. All he could force out of his
throat was a mumbled “yes,” and then fell down and bawling tears. She asks him why he had so strayed. Through tears he admits that false pleasures
lured him away when she was no longer in his sight. This is the confession she was after but she
digs the sword once more by telling him he had so much talent that went
astray. Ashamed and sorrowful he gets
himself up, and she mocks his manhood by telling him to lift his beard. Lifting his head up, he sees the Griffon, the
symbol of Christ, and feels the sting of conscience in his heart and collapses
in a feint. When he awakes he feels
Matelda drawing him into the river and while holding him dunks him below. After the dunking Matelda sends Dante to
dance with the ladies who represent the four Cardinal Virtues. Shortly they lead him toward the Griffon and
Beatrice where the three ladies representing the Christian virtues sing to turn
her “holy eyes” toward him and reveal her “second beauty.”
Canto
XXXII
Dante
now sees Beatrice’s second beauty, her smile, as now the veil has been lifted
from her face. The first beauty was her
eyes, but now her second beauty dazzles like the sun. The Griffon then swings the chariot around so
that he is facing east and the entire procession turns with it. Everyone takes their place but mow Matelda,
Statius, and Dante follows with the three Christian virtues on the right
side. Passing through the woods with
angelic song in the air they come to a barren tree where Beatrice descends from
the chariot. The music and moment
overcomes him, so that he falls asleep and when he wakes he asks where Beatrice
is. Matelda points her out as sitting alone on the tree’s root beside the
chariot which is now unhinged from the Griffon.
Dante and Statius then witness an allegorical drama of an assault upon
the chariot, which represents the Church.
The beasts include an eagle, representing the Roman Empire, both as
pre-Christina and post Christian, and then the Holy Roman Empire of
Charlemagne, the fox, representing heresies, a seven headed beast, a harlot,
and a giant, all representing various corruptions within the Church.
Canto
XXXIII
The
allegorical drama now complete, all seven virtues in tears sing Psalm 79, “O
God the heathen have come into your inheritance.” Beatrice, rising, responds, “A little while
and you shall not see me.” Rearranging
the procession, Beatrice now has Dante follow closely to her and entices him to
ask questions. He responds shyly, and
she insists he break free of fear and shame.
She warns that those who broke God’s vessel (the Church) will suffer
Divine wrath, and prophesies that one will come to restore church and earthly
order. She tells him to write this
prophesy down for those still living and to not forget to mention how the tree
of knowledge has now been despoiled twice.
She sees that he cannot fully understand what she is prophesying but
asks him nonetheless to take it back.
Dante acknowledges but asks why her words are so hard for him to
understand. She responds that the school
of thought he had been following prevents him from understanding the divine
purpose. But he cannot remember being
estranged from her, and she says that is because he has drunk from Lethe, and
that now to fully be reborn he must be doused into the river Eunoe. She has Matelda bring him over and once
dunked he feels remade, pure, and prepared to now “rise up to the stars.”
No comments:
Post a Comment