The
pilgrims continue on in the 10th bolge of the Malebolge, where the
sinners of counterfeiters reside, their flesh and bowels rotting away as they
caused the body of society to rot. They
are still standing beside Griffolino and Capocchio, when suddenly another
sinner, Gianni Schicchi, who impersonated a dead man to alter the real dead man’s
will, grasped Capocchio, sunk his teeth in him, and dragged him away. The pilgrims then encounter a man bloated
with dropsy, Master Adam, a counterfeiter of the Florin, who now wishes to just
have a drop of water. He identifies the
wretches who are about, speaking disparagingly of them, especially of Sinon,
the Greek, who faked surrender to the Trojans so that he could persuade them to
take in the Trojan Horse. Sinon,
insulted, strikes Master Adam, who strikes back and the two engage in slapstick
violence on each other. (Canto XXX)
The
pilgrims proceed out of the Malebolge into a sort of interspace before reaching
the pit of Cocytus where they hear a horn blast. What at first appear to be towers of a city
surrounding the pit are in fact a series of giants that protect it. The first of the giants they pass is Nimrod,
who tradition holds was the builder of the Tower of Babel and responsible for
variety of the languages across the earth.
He can neither understand what you say nor speak coherently, but he does
have a horn hanging from his neck. Next
is the giant Ephialtes, who joined in the attack to depose the Greek gods. He is bound in chains. Finally they arrive at Antaeus, who had
faught and lost to Hercules, and Virgil conjures him to lift and place them
down to the floor of Cocytus. The two
pilgrims holding on to each other are taken in the Giant’s hand and placed down
below. (Canto XXXI)
Dante
has a look about him on Cocytus and finds a frozen world where souls are
embedded in ice to the head. Cocytus is
divided into four parts but without any demarcation between them. The souls are just in a different position to
indicate four gradations of treachery.
The first is Caina, named after Cain, the killer of his brother
Able. This section is reserved for those
that were treacherous against their family.
In Caina the sinners heads are tilted downward, and so the tears from
their eyes freeze against the ground and lock their heads into a fixed
position. He comes across the Alberti
brothers who in life were of opposite political parties, and killed each
other. He meets Camiciaone de’ Pazzi,
who, treacherous in life, treacherously identifies several souls. The then pilgrims cross over Antenora, the
next section, named after the Trojan traitor Antenor, the place where traitors
of homeland reside. Here Dante stubs his
foot against a soul and asks him who he is.
The soul refuses to answer but because he has mentioned the Battle of
Monteparti, Dante tries to force him to squeal by pulling his hair out. The screams from the soul cause a ruckus in
which neighboring souls identify him as Bocca degli Abati, the Guelph who
cooperated to give the Ghibellines the victory.
In retaliation, Bocca identifies all the other souls. Finally the pilgrims see two souls frozen
together, one gnawing on the brain of the other. (Canto XXXII)
The
soul gnawing on the brain of the other stops to tell his tale, wiping his mouth
clean on the other’s hair. He is Count
Ugolino and the other is Archbishop Ruggieri. Ugolino had been a Pisan Ghibelline, but
betrayed them by joining up with the Archbishop who was a Guelph. Then in turn the two betrayed another Guelph
Nino Visconti. Finally the Archbishop
betrayed Ugolino by locking him and his four sons in a tower and nailing the
door shut so that they would starve to death.
Ugolino tells of the most piteous tale of how his four children offered
themselves to be eaten to save the father.
But they all died. With that
Ugolino returns to gnawing on the Archbishop’s head. The pilgrims move on to the third section of
Cocytus, Ptolomea, the place where those who were treacherous to their guests reside,
and where the souls heads are facing upward, so the tears freeze in a pool that
shuts their eyes. They meet Fra
Alberigo, another friar from the Jovial Order, Alberigo had invited two of his
relatives who he had had a dispute for dinner and had them slaughtered. But Dante is surprised because he knows of
Alberigo still to be alive. Just when
you might have thought Dante had run out of ideas, Alberigo explains that those
that commit this heinous sin sometimes have their soul stripped out of their
living body and sent to hell while their body lives on with a demon in it. (Canto XXXIII)
The
pilgrims advance to the final section of Cocytus, Judecca, named after Judas
Iscariot, for those that betrayed just lords.
Virgil announces it by sardonically misquoting the Vexilla regis by stating the standards of the king of Hell
advance. “Behold Dis,’ he parodies the Ecco homo and Dante beholds Satan who is
2000 feet high, has three heads (a red, a yellow, and a black) each with a
sinner in its mouth, Judas Isacriot and on each side the two Romans who
betrayed Julius Ceasar, Brutus and Cassius.
Satan has six bat-like wings on his body impotently trying to gather
flight but unable, and causing the wind that freezes Cocytus. The souls in Judecca are completely submerged
and frozen in place, so there is no way to identify anyone else. Virgil says it is time to go, and so climbing
down Satan, and being inverted when they reach his mid point, they enter a
crevice in the rock (or is it ice?) that leads them out. When they were inverted it meant they had
passed to the southern hemisphere, where Dante imagines the gravity to have
changed direction. Through the
underground passage they reach the exit and can now once again see the beauty
of the stars. (Canto XXXIV)
34 Cantos of Hell; and that's not counting his Purgatorio and Paradiso. Let's be honest now, if Dante had written all this in today's era, would it have been just as popular and would he have found a publisher bother about his works?
ReplyDeleteI have nothing against Dante, or Shakespeare or any of the great writers of their time. What I am asking is why do their works endure? Will a modern writer today (naming no names) have their works read in 100 or more years from now?
God bless.