This
Sunday, August 3rd will be the 50th anniversary of the
passing of the great, prematurely taken Flannery O’Connor. She only lived to thirty-nine years, but she
wrote two novels—of which I’ve never read, so I can’t assess their stature—but she
left a body of short stories, thirty-one in total, that rivals the best short
stories writers ever.
CrisesMagazine has a wonder feature on her life and work by Regis Martin.
Her life bore such
eloquence of pain that when she left it—August 3, 1964—her friend Thomas Merton
could recall no other writer of the last century to compare her with. Rather,
he said, she summoned the voice of Sophocles: an artist whose vision had
likewise reached into the dark places of the human heart, there to reveal with
“all the truth and all the craft…man’s fall and his dishonor.”
Flannery O’Connor has
been dead a half-century now, and the weight of her reputation remains as fixed
as Faulkner’s. A remarkable achievement for someone whose actual published work
amounted to a couple of novels and a handful of short stories. But altogether
astonishing in light of her last years, the fourteen or so she spent literally
dying of lupus. A rare and terrible disease, its cumulative debilities failed
utterly to diminish the grace of her spirit. “All my life,” she would say,
“death and suffering have been brothers to my imagination.”
Acceptance of her end
would appear to have come fairly early. It could hardly have come easy. For all
the brave talk of brotherhood, is any bond ever possible with enemies as
fearsome as these? Amid the ruinous terms of this world, death remains the
ultimate evil, and in every brush with suffering, be it ever so brief, there is
always some foreshadowing, some showing of the skull beneath the skin. Yet she
steeled herself to submit to both suffering and death, cheerfully acquiescing
to whatever losses each in turn would exact. Always she sought passive
diminishment, that condition of suffering whose meaning she’d first learned
from Teilhard de Chardin, which taught her to endure every affliction she
hadn’t the capacity to escape. All this she set about doing because, not unlike
the sufferings of Christ, the terrible diminishment of his cross, such
sufferings bring to those who have borne them well a triumph and consummation
equal to his own. It is nothing less than the Christian life itself, pressed to
the point of sheer anagogical extremity, without, however, any correlative loss
of freedom or hope. Instead, there accrues such enlargement of soul that grace
alone may account for it. Of which the outpouring exists in complete,
scandalous disproportion to the data of one’s own crushing debility.
It
is a wonderful article and if you have any interest or curiosity in her work
you should read it. The article summarizes
her vision:
How does one disabuse
the godless? By telling tales that render most truthfully the consequences of
their belief that he is. Here she would flesh out what clearly must be among
the more ludicrous aspects of our fall from grace, to wit, our persisting and
sentimental refusal ever to acknowledge that we had.
How incisive she was in
cutting through the sentimental syrup, straight to the bone and marrow of real
meaning. “The stories are hard,” she would allow, “but they are hard because
there is nothing harder or less sentimental than Christian realism. I believe
that there are many rough beasts now slouching toward Bethlehem to be born and
that I have reported the progress of a few of them.”
It is a superb gloss on
the stories, the Yeatsian echo of which intimating all that is most deeply
abiding in her work. In short, to see all that was there, her faith the pure
light by which she was enabled to see. “The Catholic novel,” she wrote, “is not
necessarily about a Christianized or Catholicized world, but one in which the
truth as Christians know it has been used as a light to see the world by.”
I
want to provide a short excerpt of what might be my favorite O’Connor short
story, “Parker’s Back.” O.E. Parker is a sailor with a penchant for
tattoos, and he has gotten a preacher’s daughter, Sarah Ruth, pregnant, and has
married her. Sarah Ruth turns out to be
a hard woman, difficult to satisfy, petulant, indignant, and even nasty. Parker wants to do something that will shake
her up, something that will both startle her and get her to admire him. He wants her to love him, despite being anti
Christian and she being a religious woman, of the sort of hard southern Baptist
type. It is not a smooth marriage to say
the least. What Parker decides to do is
fill in the only place on his body not covered in ink, his back, and he chooses
an image of a Byzantine Christ, one whose eyes penetrate his very soul. He thinks it will penetrate her soul too. He returns home in the wee hours of the morning
after not returning home for several days, sobering from a night of drinking. He knocks on the door and she has locked him
out. One of the keys to the scene here
is that he has been embarrassed to say what his initials stand for.
A sharp voice next to
the door said, “Who’s there?”
“Me,” Parker said, “O.E.”
He waited a moment.
“Me,” he said
impatiently, “O.E.”
Still no sound from
inside.
He tried once
more. “O.E.,” he said, bamming the door
two or three more times. “O.E.
Parker. You know me.”
There was a
silence. Then the voice said slowly, “I
don’t know no O.E.”
“Quit fooling,” Parker
pleaded. “You ain’t got any business
doing me this way. It’s me, old O.E., I’m
back. You ain’t afraid of me.”
“Who’s there?” the same
unfeeling voice said.
Parker turned his head
as if he expected someone behind him to give him the answer. The sky had lighted slightly and there were
two or three streaks of yellow floating above the horizon. Then as he stood there, a tree of light burst
over the skyline.
Parker fell against the
door as if he had been pinned there by a lance.
“Who’s there?” the
voice from inside said and there was a quality about it now that seemed
final. The knob rattled and the voice
said peremptorily, “Who’s there, I ast you?”
Parker bent down and
put his mouth near the stuffed keyhole. “Obadiah,”
he whispered and all at once he felt the light pouring through him, turning his
spider web soul into a perfect arabesque of colors, a garden of trees and birds
and beasts.
“Obadiah Elihue!” he
whispered.
The door opened and he
stumbled in. Sarah Ruth loomed there,
hands on her hips. She began at once, “That
was no hefty blonde woman you was working for and you’ll have to pay her every
penny on her tractor you busted up. She
don’t keep insurance on it. She came
here and her and me had us a long talk and I…”
Trembling, Parker set
about lighting the kerosene lamp.
“What’s the matter with
you, wasting that kerosene this near daylight?” she demanded. “I ain’t got to look at you.”
A yellow glow enveloped
them. Parker put the match down and
began to unbutton his shirt.
“And you ain’t going to
have none of me this near morning,” she said.
“Shut your mouth,” he
said quietly. “Look at this and then I don’t
want to hear no more out of you.” He
removed the shirt and turned his back to her.
“Another picture,”
Sarah Ruth growled. “I might have known
you was off after putting some more trash on yourself.”
Parker’s knees went
hollow under him. He wheeled around and
cried, “Look at it! Don’t just say
that! Look at it!”
“I done looked,” she
said.
“Don’t you know who it
is?” he cried in anguish.
“No, who is it?” Sarah
Ruth said. “It ain’t anybody I know.”
“It’s him,” Parker
said.
“Him who?”
“God!” Parker cried.
“God? God don’t look like that!”
“What do you know how
he looks?” Parker moaned. “You ain’t
seen him.”
“He don’t look,” Sarah Ruth said. “He’s a spirit. No man shall see his face.”
“Aw listen,” Parker
groaned, “this is just a picture of him.”
“Idolatry!” Sarah Ruth screamed. “Idolatry!
Enflaming yourself with idols under every green tree! I can put up with lies and vanity but I don’t
want no idolator in this house!” and she grabbed up the broom and began to
thrash him across the shoulders with it.
Parker was too stunned
to resist. He sat there and let her beat
him until she had nearly knocked him senseless and large welts had formed on
the face of the tattooed Christ. Then he
staggered up and made for the door.
She stamped the broom
two or three times on the floor and went to the window and shook it out to get
the taint of him off it. Still gripping
it, she looked toward the pecan tree and her eyes hardened still more. There he was—who called himself Obadiah
Elihue—leaning against the tree, crying like a baby.
It’s
a great story by a great writer. We lost
so many more great stories by her early death.
May she be smiling down at us.
By the way, I've promised to read and post on O'Connor's story, "Greenleaf." I should get to that in a few weeks to a month or so. So stay tuned.
Great story! I mustn't have gotten to that one in my reader yet. And thanks for remembering :)
ReplyDeleteLong story short! Manny this is not easy stuff to read even for a guy like myself. Reading the last story, reminded me of a true story about, my blessed mother who was in a Saint Joseph hospital bed and a priest and myself were staring at her from the foot of her bed on a "Good Friday".
ReplyDeleteMy mother was in pain and was telling us so and we replied in so many kind words that "Jesus" had also suffered a lot of pain over two thousand years ago.
My mother replied in so many words that He never suffered anymore than she had suffered.
Some of the stuff that went through my mind was of her telling me stories of how mom and dad had to live on two dollars a month and how while dad was away, she had to keep the house warm for her children and one winter day she had to go out and cut wood while she was pregnant a year before I was born and the axe handle slipped and ruptured her and if I got "IT" right I later had an older brother that I never met who died at about six month old of pneumonia and I stop counting the times I heard in so many words that she continually prayed while she was pregnant with me that a better faith would be her reward.
While still at the end of my mothers bed, this priest was telling us that Mother Theresa was coming to visit our Holy Angel Church and forgive me but I literally thought that she was really coming to our church and when I looked this priest in the eyes, and said in so many French words with smiling eyes which meant, "Really?" He simply looked at me with an angry face and he must have been talking to my soul when he told me in a beastly voice not to be so silly because she was only coming in a video.
Longer story shorter, on that day, the angel of death must have felt sorry for all of US (usual sinners) and didn't take Mom until years later when she was 87 + and truth be known, I honestly believed that she chose to die at that time.
God Bless this lady's soul if only because you speak so highly about her writing. LOL :)
https://www.youtube.com/watch?v=4BjsM3EJ0zE
God Bless you and yours Manny
I'm glad to hear your mother lived to a nice old age. Thank you and God bless you and your family.
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