JustinTuckermay be the greatest kicker in NFL history.He has successfully made 90.7% of his field goal attempts.That is absolutely unbelievable and I believe
he is on a current streak of 50 in a row.This past Sunday he topped himself.He kicked the longest field goal in NFL history, 66 yards in the last
three seconds of the game to beat the Detroit Tigers to convert that 50th
straight field goal.Here’s the video of
his game winner and record.Notice that
at the 24 second mark he makes the sign of the cross.
What
you need to know about Justin Tucker is that not only is he a great kicker, not
only is he a devout Catholic, but he is an opera singer.Here he is singing Ave Maria.
He’s
a baritone.That’s pretty good for a
football player.Here’s one more singing
O Holy Night.
I
think that’s even better.And he looks
really sharp with that beard.Now here’s
one more: the same winning field goal kick with his singing of Ave Maria
overlaid.
Applause,
applause.That’s pretty cool.I have not followed football closely for a
number of years.I had not heard of
Justin Tucker before.Now I won’t forget
him.
The other day on the 10th was the 200th
anniversary of Giuseppe Verdi’s birth.He is by far my favorite opera composer, and
frankly, I don’t care what anyone says, the greatest.I’m not going to get to why, just accept
it.I have to admit, though, to my embarrassment
I have never been to an opera.I have
wanted to go on numerous occasions, but one of two things happens.Either the opportunity requires me to go to
an opera that is not a Verdi work, and no, I keep telling myself, my first has
to be Verdi.Or, an opportunity comes up
and my wife nixes it.Unfortunately my
wife is not into classical music or opera.I have dragged her quite a few times to the Philharmonic, and she
detests it.The only reason she agrees
is for a night and dinner in Manhattan.But the night has to be just right. I have not had such a coincidence of
a Verdi opera and her willingness to suffer through one.
How about we start with this well known aria from Rigoletto,
“La donna è mobile."Here’s the great Luciano Pavarotti singing, “Woman
is flighty./Like a feather in the wind,/she changes in voice/and in thought.”
And then there is the opera that first brought Verdi
to the heights of the greats, Nabucco,
a
storyline based on the flight of the Israelites from their Babylonian
captivity.This great chorus, titled, “Va, pensiero” as you can read was inspired on Psalm 137 and
sometimes referred to as “The Chorus ofthe Hebrew Slaves.”It’s sense of
nationalism became a sort of rallying cry for the unification of Italy during
the next two decades.Turn the volume up
on this.Every time I hear it it brings
tears to my eyes.
Greet the banks of the
Jordan
and Zion's toppled towers...
Oh, my country, so beautiful and lost!
Oh, remembrance, so dear and so fatal!
Another of my favorites is Aida, a story set in
ancient Egypt.The Egyptians have
captured Aida, an Ethiopian princess, and Radamès, a military commander, falls
in love with her.To make a long story
short he chooses to die than give her up.Here is the great final scene where he is locked up in a vault to suffocate,
but finds that his beloved has hidden herself to die with him.From outside they hear chanting from a
festival to the dead, and so that their death becomes associated with the
divine.
Of Verdi’s 28 operas, only two were comedies, his
second, which stands as his one possible failure, and therefore was reluctant
to ever attempt another comedy, until his very last, Falstaff, based on Shakespeare’s comic play, The Merry Wives of Windsor.Here’s that wonderful finale, and therefore might be Verdi’s last
composition.
Here from Il trovatore, a chorus of soldiers singing of going into battle.I just love this.
I also could have gone with the great gypsy chorus,
otherwise known as the “Anvil Chorus” from Il Trovatore, but I limited myself to one
per opera.They really do hammer at
anvils during the chorus.Do yourself a
favor and look that one up.
Finally let me end with my all time favorite, LaTraviata.The central character is
Violetta, a courtesan (fancy prostitute, to be blunt), who falls in love with
Alfredo, and try to run away from her past.Here, from where the two meet at a party where this toast “Libiamo ne’lieti calici,” is sung, or in English, “Drink from the joyful cup.”You have probably heard this.It’s about as perfect a piece of music as can
get.
Here are the entire lyrics for this one.
Alfredo
Let's drink, let's drink from the joyous chalices
that beauty so truly enhances.
And may the brief moment be inebriated
with voluptuousness.
Let's drink for the ecstatic feeling
that love arouses.
Because this eye aims straight to the heart, omnipotently.
Let's drink, my love, and the love among the chalices
will make the kisses warmer.
Chorus
Ah! Let's drink, and the love among the chalices
will make the kisses warmer.
Violetta
With you all, I can share
my happiest times.
Everything in life
which is not pleasure is foolish.
Let's enjoy ourselves
for the delight of love is fleeting and quick.
It's like a flower that blooms and dies
And we can no longer enjoy it.
So enjoy; A keen and flattering
voice invites us!
Chorus
Let's enjoy the wine and the singing,
the beautiful night, and the laughter.
Let the new day find us in this paradise.
Violetta
Life means celebration.
Alfredo
Only if one hasn't known love.
Violetta
Don't tell someone who doesn't know.
Alfredo
But this is my fate...
All
Let's enjoy the wine and the singing,
the beautiful night, and the laughter.
Let the new day find us in this paradise.
Oh I would love to have that played at my funeral!
Let us drink to this wonderful, joyous genius,
Giuseppe Verdi.