"Love follows knowledge."
"Beauty above all beauty!"
– St. Catherine of Siena

Showing posts with label Feast of the Epiphany. Show all posts
Showing posts with label Feast of the Epiphany. Show all posts

Sunday, January 4, 2026

Sunday Meditation: Gold, Frankincense, and Myrrh

Today is the Feast of the Epiphany of the Lord.  I’ve had a number of posts on this feast and the subject of the Magi.  You can access past posts on these subjects here.    There are posts on the significance of the Epiphany as well as to its details.  There are posts on Fr. Dwight Longenecker’s wonderful book unlocking the mystery of these wise men, The Mystery of the Magi: The Quest to Identify the Three Wise Men.   And there are analysis of poems by G.K. Chesterton and T.S. Eliot on the subject of the Magi.  All well worth exploring.

Today I would like to emphasize the gifts the Magi present infant Jesus.  It is commonly understood that the gift of gold represents Jesus’ royalty, frankincense represents his priestly office, and myrrh His sacrificial death.  Pierre-Marie Dumont in this month’s Magnificat magazine (Jan 2026, Vol. 21, No. 11, pp 6-7) proposes we offer these gifts to Jesus today in the form of spiritual gifts.  The gold we give is our love, “gold refined by the fire mentioned in the Book of Revelation (3:18).”  The frankincense we offer are our prayers “that ascend to God as a sweet-smelling offering.”  The myrrh we offer is “our communion in the Passion and death of Jesus,” consisting of our sacrifices and offerings to the Lord.  I found that beautiful.


 


Here is today’s Gospel reading.

 

When Jesus was born in Bethlehem of Judea, in the days of King Herod, behold, magi from the east arrived in Jerusalem, saying, “Where is the newborn king of the Jews?

We saw his star at its rising and have come to do him homage.”

When King Herod heard this, he was greatly troubled, and all Jerusalem with him.

Assembling all the chief priests and the scribes of the people,

He inquired of them where the Christ was to be born.

They said to him, “In Bethlehem of Judea, for thus it has been written through the prophet:

And you, Bethlehem, land of Judah, are by no means least among the rulers of Judah; since from you shall come a ruler, who is to shepherd my people Israel.”

Then Herod called the magi secretly and ascertained from them the time of the star’s appearance.

He sent them to Bethlehem and said,

“Go and search diligently for the child.

When you have found him, bring me word, that I too may go and do him homage.”

After their audience with the king they set out.

And behold, the star that they had seen at its rising preceded them, until it came and stopped over the place where the child was.

They were overjoyed at seeing the star, and on entering the house they saw the child with Mary his mother.

They prostrated themselves and did him homage.

Then they opened their treasures and offered him gifts of gold, frankincense, and myrrh.

And having been warned in a dream not to return to Herod, they departed for their country by another way..

~Mt 2:1-12

 

Bishop Barron explains the traditional understanding of the three gifts, but he also connects the expedition of the Magi with a search for the ultimate fulfillment which is the quest to discover God. 



What is admirable in the Magi is that they follow the sign so that the longing will be fulfilled if we move in this direction.  “We’re the three kings longing for Christ.”  That is beautiful. 

I have presented pastoral homilies by different members of the Capuchin Franciscan Friars before in their YouTube channel, “A Simple Word.”  I have never presented Fr. Christopher Gama before, and here he provides an insightful homily.



We can only find God through the virtue of humility.  “Creation points out the way, and God finishes the path.  Grace builds on nature!”  It changes us and sends us home in another way.

 

Sunday Meditation: “They opened their treasures and offered him gifts of gold, frankincense, and myrrh.”


Let’s end with this lovely Christmas carol perfect for the epiphany, performed by North Valley Chamber Chorale:



I love this version. 

Sunday, January 5, 2025

Solemnity Meditation: The Magi

On this second Sunday of Christmas, we celebrate the Solemnity of the Epiphany of the Lord.  Who were these strange men—the Gospel does not say they were kings—who followed a star to baby Jesus?  Well I had four blog posts on the reading of Fr. Dwight Longenecker’s book, The Mystery of the Magi.  If you really want to know who these mysterious men were—not the fable of Balthazar, Caspar, and Melchior—but the real history, read my posts.  Here is blog post #4 on Fr. Longenecker’s book, and from there are links to Posts one, two, and three.  The real history is more astonishing than the legend. 

However, Matthew’s spiritual significance is just what epiphany means.   Epiphany is a revelation of God, a theophany, and here the Magi reveal to the world that baby Jesus is the Christ, King of the Jews.

 

When Jesus was born in Bethlehem of Judea,

in the days of King Herod,

behold, magi from the east arrived in Jerusalem, saying,

“Where is the newborn king of the Jews?

We saw his star at its rising

and have come to do him homage.”

When King Herod heard this,

he was greatly troubled,

and all Jerusalem with him.

Assembling all the chief priests and the scribes of the people,

he inquired of them where the Christ was to be born.

They said to him, “In Bethlehem of Judea,

for thus it has been written through the prophet:

And you, Bethlehem, land of Judah,

are by no means least among the rulers of Judah;

since from you shall come a ruler,

who is to shepherd my people Israel.”

Then Herod called the magi secretly

and ascertained from them the time of the star’s appearance.

He sent them to Bethlehem and said,

“Go and search diligently for the child.

When you have found him, bring me word,

that I too may go and do him homage.”

After their audience with the king they set out.

And behold, the star that they had seen at its rising preceded them,

until it came and stopped over the place where the child was.

They were overjoyed at seeing the star,

and on entering the house

they saw the child with Mary his mother.

They prostrated themselves and did him homage.

Then they opened their treasures

and offered him gifts of gold, frankincense, and myrrh.

And having been warned in a dream not to return to Herod,

they departed for their country by another way.

~Mt 2:1-12

 

Fr. Geoffrey Plant as usual does a thorough of explaining the historical and biblical significance of the Epiphany.

 



Fr. Geoffrey gives a handful of theories of where the Magi came from but none of them agree with Fr. Longenecker’s research.  I would go with Fr. Longenecker. 

Now for a sermon on the spiritual significance of the epiphany, let’s turn to Jeff Cavins.

 


It occurs to me that the light given off by Christ shines through the Magi.  Let the light of Christ shine through you.  Let your person be a manifestation of Christ, an epiphany to the world.

We don’t see much of how the Magi are transformed by their visit, but the poet T.S. Eliot speculates on how one particular Magus (singular for Magi) is transformed in his great poem “The Journey of the Magi.”  I provided a detailedanalysis of the poem here if you wish to read and understand this great work of poetry.    

 

Solemnity Meditation: “Where is the newborn king of the Jews?  We saw his star at its rising and have come to do him homage.”

 

Instead of a hymn this week, I am going to provide a reading by someone named Arthur L. Wood of T.S. Eliot’s he Journey of the Magi.” 

 


I selected this clip since it provided the words, but that is also an excellent reading.

Sunday, January 7, 2024

Sunday Meditation: The Epiphany of the Lord

The Feast of the Epiphany is a manifestation of Jesus’s divinity.  It is a making known that God is among us, a revelation.  The three kings come to find the King of the World.

 

When Jesus was born in Bethlehem of Judea, in the days of King Herod, behold, magi from the east arrived in Jerusalem, saying,

“Where is the newborn king of the Jews?

We saw his star at its rising

and have come to do him homage.”

When King Herod heard this, he was greatly troubled, and all Jerusalem with him.

Assembling all the chief priests and the scribes of the people,

He inquired of them where the Christ was to be born.

They said to him, “In Bethlehem of Judea,

for thus it has been written through the prophet:

And you, Bethlehem, land of Judah,

are by no means least among the rulers of Judah;

since from you shall come a ruler,

who is to shepherd my people Israel.”

Then Herod called the magi secretly

and ascertained from them the time of the star’s appearance.

He sent them to Bethlehem and said,

“Go and search diligently for the child.

When you have found him, bring me word,

that I too may go and do him homage.”

After their audience with the king they set out.

And behold, the star that they had seen at its rising preceded them, until it came and stopped over the place where the child was.

They were overjoyed at seeing the star,

and on entering the house

they saw the child with Mary his mother.

They prostrated themselves and did him homage.

Then they opened their treasures

and offered him gifts of gold, frankincense, and myrrh.

And having been warned in a dream not to return to Herod,

they departed for their country by another way.

~Mt 2:1-12

 

Over the years I have written often on the Feast of the Epiphany and the visit of the three magi.  You can access all those posts here.  Be sure to look through my explanation of T.S. Eliot’s great poem, “Journey of the Magi,” and my review’s of Fr. Dwight Longenecker’s book on the Magi, The Mystery of the Magi. 

For a reflection on the Gospel passage this week I found Bishop Barron’s homily very profound.

 

 

I’ll also add this nice little picture summary from Aleteia of the Three Kings story with some lovely Middle Eastern music to compliment it.

 


Meditation: “They were overjoyed at seeing the star, and on entering the house they saw the child with Mary his mother.”

Sunday, January 8, 2023

Sunday Meditation: The Feast of Manifestation

That is what the Feast of the Epiphany was once called, as you will hear explained.  The Feast of the Epiphany celebrates the first manifestation of Christ, the Son of God, to the gentiles.

Last year I posted a Sunday Meditation of today’s Gospel reading.  Please refer back to that.  So today I will focus on the first reading, a reading from the Book of the Prophet Isaiah.

 

  Rise up in splendor, Jerusalem!  Your light has come,

the glory of the Lord shines upon you.

See, darkness covers the earth,

and thick clouds cover the peoples;

but upon you the LORD shines,

and over you appears his glory.

Nations shall walk by your light,

and kings by your shining radiance.

Raise your eyes and look about;

they all gather and come to you:

your sons come from afar,

and your daughters in the arms of their nurses.

 

Then you shall be radiant at what you see,

your heart shall throb and overflow,

for the riches of the sea shall be emptied out before you,

the wealth of nations shall be brought to you.

Caravans of camels shall fill you,

dromedaries from Midian and Ephah;

all from Sheba shall come

bearing gold and frankincense,

and proclaiming the praises of the LORD.

~Is 60:1-6


Jeff Cavins provides a thoughtful reflection.

 


I also found a Jewish reading of this passage that I thought would complement this well.  An explanation from Lise Rosenthal from Temple Beth Israel.

 


Now that’s a little different, isn’t it?  The caravans are going back to Jerusalem from a diaspora.  So now think to the Gospel reading.  The Magi will also be coming back to Jerusalem to pay homage to the splendor of the light.

Friday, January 6, 2023

Feast of the Epiphany with John Michael Talbert

Today was the Feast of the Epiphany, and I have posted often on it.  But I was listening some John Michael Talbert songs this evening and I wanted to create a post of two songs, one certainly on the epiphany and the other more loosely.  First, his rendition of “We Three Kings.” 

 



He plays it a shade slower than most.  I think it gives the song more reverence. 

Then I came across this song which I had never heard before, “I Found My Beloved,” which is not a Christmas song, nor a song of the Magi.  Actually it’s an imagine excursion from the point of view of St. John of the Cross.  But it struck me that these are the emotions any one of the Magi might have experienced. 

 


That is a magnificent song.

I hadn’t posted much Christmas music this year.  Between work, which took me a way for a couple of weeks, illnesses in the family, and then my cold.  I just haven’t had that much time.  Merry Christmas, Happy New Year, and Happy Feast of the Epiphany.



Thursday, April 7, 2022

Poetry Analysis: The Wise Men by G.K. Chesterton

In addition to Eliot’s “The Journey of the Magi,” which I posted here, we also read and discussed G.K. Chesterton’s poem, “The Wise Men” as part of our discussion of Fr. Dwight Longenecker’s book, The Mystery of the Magi: The Quest to Identify the Three Wise Men.  You can read the four part blog posts on Longenecker’s book: Part 1, Part 2, Part 3, and Part 4.   

 

The Wise Men

By G.K. Chesterton (1913)

 

Step softly, under snow or rain,

   To find the place where men can pray;

The way is all so very plain

   That we may lose the way.

 

Oh, we have learnt to peer and pore,

   On tortured puzzles from our youth,

We know all labyrinthine lore,

We are the three Wise Men of yore,

   And we know all things but the truth.

 

We have gone round and round the hill,

   And lost the wood among the trees,

And learnt long names for every ill,

And served the made gods, naming still

   The Furies the Eumenides.

 

The gods of violence took the veil

   Of vision and philosophy,

The Serpent that brought all men bale,

He bites his own accursed tail,

   And calls himself Eternity.

 

Go humbly . . . it has hailed and snowed . . .

   With voices low and lanterns lit;

So very simple is the road,

   That we may stray from it.

 

The world grows terrible and white,

   And blinding white the breaking day;

We walk bewildered in the light,

For something is too large for sight,

   And something much too plain to say.

 

The Child that was ere worlds begun ─

(. . . We need but walk a little way . . .

We need but see a latch undone . . .)

The Child that played with moon and sun

   Is playing with a little hay.

 

The house from which the heavens are fed,

   The old strange house that is our own,

Where tricks of words are never said,

And Mercy is as plain as bread,

   And Honour is as hard as stone.

 

Go humbly; humble are the skies,

   And low and large and fierce the Star,

So very near the Manger lies

That we may travel far.

 

Hark! Laughter like a lion wakes

   To roar to the resounding plain,

And the whole heaven shouts and shakes

   For God Himself is born again

And we are little children walking

   Through the snow and rain.

 

You can hear “The Wise Men” read on YouTube, here:



 

 I can’t say I understand every line, but I think I got the gist, though it took quite a few readings and listening’s.  This is a poem you have to hear.

So I have to say I was a little confused by the different forms of the stanzas.  There are three forms, a quatrain (four lines), a cinquain (five lines), and a sestet (six lines).  The stanzas are all in iambic meter (unstressed/stressed syllable pattern) and are of eight syllables (referred to as four feet) long.  The quatrains and the sestet end with a shortened line of six syllables.  I should also mention that the quatrain and the sestet also have an alternating ABAB (and a concluding AB for the sestet) rhyme scheme while the cinquain has an ABAAB rhyme scheme.

So the eight syllabic line quatrain, including the shortened fourth line, is a classic ballad form.  There are variations on this, but what Chesterton chose might be most common.  They are typically narrative and the form harkens back to the Middle Ages, though they returned to popularity in the 19th century. 

The cinquain was not as typical but also made a comeback in the 19th century.  The 19th century poets strove for musicality, and Chesterton really comes from that tradition.  The great heyday of the cinquain I would say was in the 17th century.  “Hymn to God, My God, in My Sickness” by John Donne is a really fine example.  That fifth line gives a cinquain more of a contemplative feel. 

Finally a sestet echoes the last six lines of an Italian sonnet, which among other things gives a closure to a thought. 

In all there are ten stanzas, arranged in what I would consider a pattern: 4-5-5-5-4-5-5-5-4-6, where four stands for a quatrain, five for a cinquain, and six for the sestet.   There’s no such established form that I could find, so I would say it’s Chesterton’s creation.  And like the Victorian poets whose lineage he comes from (think Tennyson, Poe, Rossetti, even Yeats and others) the musical/sound experience is paramount to his construction.  And as I look at each of the stanzas, I would say they function in their classical sense.  Though not perfectly, the quatrains are narrative, the cinquains are contemplative, and the sestet brings it to a conclusion.  That’s pretty innovative and yet traditional at the same time!

Now what’s the narrative about?  Yes, the Magi traveling to Jesus, but what I can’t distinguish is whether it’s an actual Magi speaking or someone in Chesterton’s present time (the narrator?) taking on the persona of a Magi.  It seems to blur.  What do people think on that?  Is it one or the other or both?  I just can’t make up my mind. 

Now what I would do at this point is identify the central idea of each stanza.  Here’s my best guess.

Stanza 1: Journey to a place to pray, which I take is the Magi kneeling before the manger as in a crèche scene.  I’m also struck by the paradox that way is plain but easy to lose one’s way.

Stanza 2: Describes the studious nature of the Magi with another paradox that despite their learning they don’t know the truth.

Stanza 3: Further describes the Magi learning, but this time characterized as caught in a circular trap serving merciless pagan gods.

Stanza 4: He describes these gods as hiding the truth, bringing evil by linking them to the serpent.  What’s fascinating here is he has another reference to circular, the serpent biting his tail is a circle, and he identifies it as a false eternity.

Now take a break here.  I would say that stanzas one through four are the first chunk of thought.  Let’s call this Part 1.  It concerns the Magi’s fruitless existence prior to encountering Christ.

Stanza 5: The journey continues.  Again Chesterton brings up the paradox about getting lost on a simple road.

Stanza 6: A description of the whirlwind of snow about them, being blinded by a light, and paradoxically (again!) not being able to see something that is “too large for sight.”

Stanza 7: A walking into the stable to find the Christ child.  Best lines in the poem: “The Child that played with moon and sun/Is playing with a little hay.”

Stanza 8: I have to admit, I am baffled by this stanza.  Which house?  The Magi’s home?  The stable?  The house of the narrator?  This feels like the philosophic center of the poem but I can’t get it. 

OK, those last four stanzas can be called Part 2.  The reach the Christ child and are overwhelmed.

Stanza 9: I think they walk up to the manger here, and again another paradox: they are near but yet so far still to go.  I take that as they still have a journey to comprehend the significance. 

Stanza 10: So this concludes with a roaring laughter.  Why?  And another paradox, “God Himself is born again.”  “Again”?  When was He born the first time?  But the concluding couplet is very striking: they have suddenly, I assume metaphorically, become children “walking through snow and rain.”

So what I take from that last stanza is that the joy of meeting the Christ child transforms the narrators (he refers to a “we”) into children playing in snow.  The once drudgery of the journey is a sort of child’s play now.  This, and the plain too that the lion roars on, brings the poem back to the first stanza of snow and rain.  It gives the poem a circular feel. 

This leaves me with some unanswered questions.  So why the circular form and how does that relate to the serpent’s evil circular image in Part 1?  What is stanza 8 all about?  Why the laughter as a concluding image—it seems to come from nowhere?  And what about the narrator?  Is it the wise men of yore or present day speaker? 

Still I became very fond of the poem as I understood it!  That was enjoyable.