Seamus
Heaney, acclaimed by many as the best Irish poet since WB Yeats, has died aged
74.
Heaney
was awarded the Nobel Prize for Literature in 1995 "for works of lyrical
beauty and ethical depth, which exalt everyday miracles and the living
past".
Over
his long career he was awarded numerous prizes and received many honours for
his work.
He
recently suffered from ill health.
And
then from the official obituary from BBC News.
Seamus
Heaney was internationally recognised as the greatest Irish poet since WB
Yeats. Like Yeats, he won the Nobel Prize for literature and, like Yeats, his
reputation and influence spread far beyond literary circles.
Born
in Northern Ireland, he was a Catholic and nationalist who chose to live in the
South. "Be advised, my passport's green / No glass of ours was ever raised
/ To toast the Queen," he once wrote.
He
came under pressure to take sides during the 25 years of the Troubles in
Northern Ireland, and faced criticism for his perceived ambivalence to
republican violence, but he never allowed himself to be co-opted as a spokesman
for violent extremism.
His
writing addressed the conflict, however, often seeking to put it in a wider
historical context. The poet also penned elegies to friends and acquaintances
who died in the violence.
Describing
his reticence to become a "spokesman" for the Troubles, Heaney once
said he had "an early warning system telling me to get back inside my own
head".
Born
on 13 April, 1939, on a family farm in the rural heart of County Londonderry,
he never forgot the world he came from. "I loved the dark drop, the
trapped sky, the smells / Of waterweed, fungus and dank moss," he recalled
in Personal Helicon.
He
was a translator, broadcaster and prose writer of distinction, but his poetry
was his most remarkable achievement, for its range, its consistent quality and
its impact on readers: Love poems, epic poems, poems about memory and the past,
poems about conflict and civil strife, poems about the natural world, poems
addressed to friends, poems that found significance in the everyday or
delighted in the possibilities of the English language.
The BBC obit seems to focus on the Catholic/Protestant
conflicts that has consumed Ireland. I
did not really see that side of his work, since I’m neither Irish or British
ethnicity. My appreciation of Heaney’s
poetry really focused on his nature and rural life themes. Here’s a poem that highlights for me what
makes his poetry unique and spectacular.
In regard to the copywrite laws, I’ll only post the first half of this
two part poem.
Mossbawn 1. Sunlight
By Seamus Heaney
For Mary Heaney
I. Sunlight
There was a sunlit absence.
The helmeted pump in the yard
heated its iron,
water honeyed
in the slung bucket
and the sun stood
like a griddle cooling
against the wall
of each long afternoon.
So, her hands scuffled
over the bakeboard,
the reddening stove
sent its plaque of heat
against her where she stood
in a floury apron
by the window.
Now she dusts the board
with a goose's wing,
now sits, broad-lapped,
with whitened nails
and measling shins:
here is a space
again, the scone rising
to the tick of two clocks.
And here is love
like a tinsmith's scoop
sunk past its gleam
in the meal-bin.
The helmeted pump in the yard
heated its iron,
water honeyed
in the slung bucket
and the sun stood
like a griddle cooling
against the wall
of each long afternoon.
So, her hands scuffled
over the bakeboard,
the reddening stove
sent its plaque of heat
against her where she stood
in a floury apron
by the window.
Now she dusts the board
with a goose's wing,
now sits, broad-lapped,
with whitened nails
and measling shins:
here is a space
again, the scone rising
to the tick of two clocks.
And here is love
like a tinsmith's scoop
sunk past its gleam
in the meal-bin.
Notice the unique but simple diction, a farmer’s diction but stilled charged with freshness. There is nothing in there that smacks of cliché, even though it appears to be describing a common activity. I love the short lines, suggesting a simple person. I love the cacophony of hard sounding consonants: pump, bucket, griddle, bakeboard, plaque, scone, tick, scoop. Short words with hard consonants suggest an elemental simplicity, recalling early English or Gaelic roots. Mary Heaney is his wife, and in her simple rural baking he sees love.
You can read about tributes here
and obits from The Indepedent and The New York Times
, each with some more information.
I would also be remiss if I didn’t
mention that Heaney had a fine translation of Beowulf in verse, which I enjoyed reading very much.
Thank you for this beautiful tribute to an amazing poet and man. A peaceful, purling rest...
ReplyDeleteWhy thank you. Feel free to stop by any time.
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