I was perusing Emily Dickinson’s The Complete Poems and
came across this little one. Well, just
about all of Emily’s poems are little, but this is especially so: just three
lines and seventeen words.
To see the Summer Sky
by
Emily Dickinson
To see the Summer Sky
Is Poetry, though never in a Book it lie --
True Poems flee --
Is Poetry, though never in a Book it lie --
True Poems flee --
You
may not notice it, but there’s craft there.
The first two lines rhyme with sky/lie.
Then there is the rhyme of syllable in “poetry” to the closing word, “flee.” Six syllables in the first line are followed
by a doubling of twelve syllables in the second line. This sets up the really curt three syllables
of the third line, which punctuates the central thesis, which is that nature itself
is the truest poetry. So she builds the
lines on multiples of three syllables: 6, 12, 3. That’s not an accident. But also notice how, though not a rhyme,
there is a sound relationship between the “lie” and flee.” Both have that strong “l” sound in the
opening consonant and both are monosyllabic.
The sound “ei” shifts to “ee” making it appear as a sort of sound
inflection, such as sing/sung. “Lie” appears
to inflect to “flee” which gives the summer sky movement. Excellent.
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